This is the website of the medievalist and musicologist, Elizabeth Eva Leach, Professor of Music at the University of Oxford. Information on publications and research interests, blog, and undergraduate and postgraduate applications to study with Prof. Leach can be found by clicking the links below.

Professional profile

Prof. Leach is currently a Director of the Digital Image Archive of Medieval Music (DIAMM) and a member of the Council of the Plainsong and Medieval Music Society. Applications for PhD projects related to Leach’s work are always welcome.

Recent Posts

Thibaut’s Romance of the Pear

Links to the sources of Thibaut’s Roman de la poire.

« Li Romanz de la poire ».
« Li Romanz de la poire ».
Source: gallica.bnf.fr

This poem is a first-person love narrative whose interpolated refrains spell out the names of lover, lady, and ‘Amors’, names that are also spelled out in the main text ‘ensuring that the acrostic exists both horizontally and vertically’ (Butterfield 2002, 246) and forming an authorial identity through the use of commonplace texts (refrains).

There are three manuscript sources for the poem:

F-Pn fr.2186 = MS A, c.1275. This is a black-and-white microfilm. Contains only Poire. This copy is richly illustrated, with illuminations occupying entire pages at the beginning. The early refrains have staves provided, but no notes have been entered on them. Later, there is merely space left for staves, but no staves entered. All are, however, accompanied by a historiated initial that Butterfield describes as being a ‘performative marker’ (Butterfield 2002, 184).

F-Pn fr.12786 = MS B. Poire opens the manuscript and occupies ff. 1ra-24va. This is the unfinished manuscript also known as Trouvk. Butterfield (2002, 247) notes it as having the same layout as F-Pn fr.2186 but being even less finished. In its current binding F-Pn fr.12786 contains incompletely copied polyphonic rondeaux, as well as Richard de Fournival’s Bestiary of LovePoire shares a refrain with this prose work of Richard (vdB1786, pictured above; not noted in van den Boogaart).

F-Pn fr.24431 = MS C. Not yet online. Described in van den Boogaart as ‘fragmentary’.


Butterfield, Ardis. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Cambridge: Cambridge University Press, 2002. See especially pp.246-252.

See also the page at ARLIMA.

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